{"product_id":"inside-the-studio-the-recording-trinity","title":"Inside the Studio – The Recording Trinity","description":"\u003ch3 class=\"p1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003csup\u003eThe\u003c\/sup\u003e\u003c\/span\u003eRoom,\u003cspan class=\"s2\"\u003e \u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003csup\u003eThe\u003c\/sup\u003e\u003c\/span\u003eSpeakers and \u003cspan class=\"s1\"\u003e\u003csup\u003eThe\u003c\/sup\u003e\u003c\/span\u003eEngineer\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eRecently, I spoke with a young aspiring recording engineer who was planning a new studio build. They had allocated $150,000 for a top-of-the-line recording console, yet no budget for any acoustic treatments or proper studio infrastructure. At the same time, they were mixing in a room barely larger than a closet and relying almost entirely on headphones for reference.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e“It’s good enough,” they said.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThat phrase should send a chill down the spine of anyone who cares about recorded sound. To be blunt, good enough is never good enough—and it is rarely even OK.\u003c\/p\u003e","brand":"Recording Magazine","offers":[{"title":"Default Title","offer_id":44253990977645,"sku":null,"price":1.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2392\/2951\/files\/Inside-the-Studio---The-Recording-Trinity-1.jpg?v=1771895036","url":"https:\/\/recording-magazine.myshopify.com\/products\/inside-the-studio-the-recording-trinity","provider":"Recording Magazine","version":"1.0","type":"link"}