First Steps in Dolby Atmos: Part Five — Immersive Audio Tracking Considerations

Welcome to Part 5 of my journey into immersive audio and Dolby Atmos.

Since launching this column in March 2025, I have documented the transformation of my basement office/editing suite into an Atmos listening and mixing space—from choosing an immersive monitor system (IK Multimedia MTM MKII monitors), to sorting out cabling, power and speaker mounting, and finally selecting an Atmos-capable audio interface in the Audient ORIA.